|aDesign after modernism :|bfurniture and interiors, 1970-2010 /|cJudith Gura ; original renderings by Sophia Yi-Ying Lu.
|aNew York :|bW.W. Norton & Co.,|cc2012.
|a208 p. :|bcol. ill. ;|c26 cm.
|aIncludes bibliographical references (p. 201-203) and index.
|aIntroduction -- Progressions of a style -- Historical context, 1970-2000 -- What's in a name? The several contradictions of modernism -- The heritage of nationalism -- Movements after modernism -- Toward the twenty-first century: transformation and regeneration -- Prelude: reigning modernism, 1950-1970 -- Defining the trends, 1970-2000 -- Relaxing modernism -- Architectural variations -- Loosening the stays -- Cocoons and comets -- The Italian phenomenon -- Studio craft -- Rejecting modernism -- Postmodernism -- Deconstructivism -- High tech -- Avant-garde furniture -- Reassessing modernism -- Toward the millennium -- Minimalism -- Retro design -- Harbingers of change -- Reinventing modernism; the twenty-first century -- Context: the first decade -- The designers -- The architecture -- The interiors -- Furniture: the new face of modernism -- Design as idea -- Taming technology -- Protecting the planet -- Nature-driven design -- Design as art -- Contextual craft -- Interactive objects -- Unaccustomed materials -- Flights of fantasy.
With the first decade of the twenty-first century behind us, it is time to reassess the concept of "modern," a term that dates to the Middle Ages, when it signified current or recent events. Not until the eighteenth century did it become a stylistic term; more recently it has generally referred to the aesthetic that evolved from the Bauhaus and flourished in the mid-twentieth century. Though proclaiming freedom from the limitations of style, it became as formulaic as most of its predecessors, as Modern architecture and furnishings conformed to prescribed specifications: geometric forms, industrially fabricated, unadorned, and studiously ahistorical. Those guidelines are no longer relevant. As Midcentury Modernism has receded into history, Modernism has been redefined, reenergized, and in the process transformed. Today it embraces a cornucopia of design in an almost limitless range of materials: design studios are laboratories for experimentation; design concepts can be as important as finished objects; and furniture has crossed barriers to become a new art form. Tools and technologies never before possible have provided new approaches to decoration, and may incorporate influences from the past. The design profession has broadened its horizons; interiors and furniture are being created by architects, interior designers, furniture makers, industrial designers, artisans, artists, and even fashion designers.Design After Modernism offers an overview of developments in design over the past four decades--some evolutionary, some expected, and some extraordinary. It identifies the diverse influences that have generated new directions in design and illustrates many of the most characteristic, most noteworthy, and most innovative objects in this rich and variegated mix. All are representative of their time, and many of the earlier designs have already gained iconic status. Of the more recent ones, whether or not they will be admired in decades to come is something that only time will tell.