|aMoving innovation :|ba history of computer animation /|cTom Sito.
|aCambridge, Massachusetts :|bThe MIT Press,|cc2013.
|a362 p. :|bill. ;|c24 cm.
|aIncludes bibliographical references (p. -326) and index.
|aFilm and television at the dawn of the digital revolution -- Analog dreams : bohemians, beatniks, and the Whitneys -- Spook work : the government and the military -- Academia -- Xerox PARC and corporate culture -- Hackers -- Nolan Bushnell and the games people play -- To dream the impossible dream : the New York Institute of Technology, 1974-1986 -- Motion picture visual effects and Tron -- Bob Abel, Whitney-Demos, and the eighties : the wild west of CG -- Motion capture : the uncanny hybrid -- The cartoon animation industry -- Pixar -- The conquest of Hollywood.
內容簡介top Moving Innovation 簡介 Computer graphics (or CG) has changed the way we experience the art of moving images.Computer graphics is the difference between Steamboat Willie and Buzz Lightyear, between ping pongand PONG. It began in 1963 when an MIT graduate student named Ivan Sutherland created the first truecomputer animation program. Instead of presenting a series of numbers, Sutherland's Sketchpadprogram drew lines that created recognizable images. Sutherland noted: "Since motion can be putinto Sketchpad drawings, it might be exciting to try making cartoons." This book, the firstfull-length history of CG, shows us how Sutherland's seemingly offhand idea grew into a multibilliondollar industry. In Moving Innovation, Tom Sito -- himself an animator andindustry insider for more than thirty years -- describes the evolution of CG. The history oftraditional cinema technology is a fairly straight path from Lumi鋨e to MGM. Writing the history ofCG, Sito maps simultaneous accomplishments in multiple locales -- academia, the military-industrialcomplex, movie special effects, video games, experimental film, corporate research, and commercialanimation. His story features a memorable cast of characters -- math nerds, avant-garde artists,cold warriors, hippies, video game enthusiasts, and studio executives: disparate types united by acommon vision. Computer animation did not begin just with Pixar; Sito shows us how fifty years ofwork by this motley crew made movies like Toy Story and Avatarpossible.