| 001 |
|
82066 |
| 009 |
|
|a(OCoLC)ocm64770919
|
| 009 |
|
|a(OCoLC)64770919
|
| 010 |
1
|
|a1568986211|dNT770|b(pbk.)
|
| 010 |
1
|
|a9781568986210|dNT770|b(pbk.)
|
| 020 |
|
|aus|aGBA657773
|
| 020 |
|
|aus|b2006008315
|
| 042 |
|
|apcc
|
| 100 |
|
|a200310r2e20062004 y y01 b
|
| 101 |
0
|
|aeng
|
| 102 |
|
|aus|bny
|
| 105 |
|
|aa a 000yy
|
| 200 |
1
|
|aStrips, toons, and bluesies|eessays in comics and culture|fD.B. Dowd and Todd Hignite, editors
|
| 205 |
|
|a1st ed
|
| 210 |
|
|aNew York|cPrinceton Architectural Press|aSt. Louis|cWashington University|d[2006]
|
| 215 |
1
|
|a111 p|cill. (some col.)|d28 cm
|
| 300 |
|
|aOriginally published in 2004 under the title The rubber frame; published in conjunction with two exhibitions held at Washington University in St. Louis: The rubber frame: the visual language of comics from the eighteenth century to the present, held Oct. 1-Dec. 31, 2004 in the Special Collections galleries at John M. Olin Library, and The rubber frame: American underground and alternative comics, 1964-2004, held Oct. 1-30, 2004 in the Des Lee Gallery
|
| 320 |
|
|aIncludes bibliographical references (p. 107)
|
| 327 |
0
|
|aIntroduction / Angela Miller|aStrands of a single cord : comics & animation / D.B. Dowd|aTwo centuries of underground comic books / Daniel Raeburn|aJaime Hernandez's "Locas" / Todd Hignite|aThe 1960s, African Americans, and the American comic book / Gerald Early|aA chronology of comics and the graphic arts / D.B. Dowd & Melanie Reinert
|
| 500 |
11
|
|aRubber frame
|
| 606 |
|
|2lc|aComic books, strips, etc|xHistory and criticism
|
| 676 |
|
|a741.509|v22
|
| 680 |
|
|aPN6710|bR83 2006
|
| 702 |
1
|
|aDowd|bDouglas Bevan
|
| 702 |
1
|
|aHignite|bM. Todd
|
| 712 |
|
|aWashington University (Saint Louis, Mo.)
|
| 801 |
0
|
|acw|bBIB|c20081014
|
| 801 |
0
|
|bDLC
|
| 801 |
1
|
|acw|bnational library|c20081014
|
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